世纪收藏网：诗情画意-吴冠中作品

吴冠中江苏宜兴人，当代著名画家、油画家、美术教育家。油画代表作有《长江三峡》《北国风光》《小鸟天堂》《黄山松》《鲁迅的故乡》等。中国画代表作有《春雪》及《狮子林》、《长城》等；出版有《吴冠中画集》《吴冠中画选》《吴冠中油画写生》《吴冠中国画选辑》及《东寻西找集》《风筝不断线》《天南地北》《谁家粉本》《吴冠中素描、色彩画选》《吴冠中中国画选》《吴冠中散文选》等 。

Wu Jiangsu Yixing people, contemporary famous painters, oil painters, art educators. The masterpiece of oil painting has "Three Gorges" "Northland Scenery" "Bird Paradise" "Pines" "Lu Xun's hometown" and so on. The masterpiece of Chinese painting has "spring" and "Lion Forest", "Great Wall" and so on; published in the "Wu Collection" "Wu Gaoxian" "Wu oil painting" "Wu Chinese Painting Selected" and "East looking for the West" "Kite Continuous Line" "in the same place" "Who's Home Powder" "Wu Sketch, Color Gaoxian" "WU" Wu scattered selections, and so on.

吴冠中在50～70年代，致力于风景油画创作，并进行油画民族化的探究。他力图把欧洲油画描绘自然的直观生动性、油画色彩的丰富细腻性与中国传统艺术精神、审美理想融合到一起。从70年代起，吴冠中渐渐兼事中国画创作。他力图运用中国传统材料工具表现现代精神，并探求中国画的革新。

Wu Guanzhong devoted himself to the creation of landscape oil paintings in the 1950s and 1970s, and made an inquiry into the nationalization of oil paintings. He tried to integrate the natural visual vividness of European oil painting, the rich and exquisite color of oil painting with the Chinese traditional artistic spirit and aesthetic ideal. Since the 1970s, Wu Guanzhong has been concurrently involved in the creation of Chinese painting. He tried to use Chinese traditional materials and tools to express the modern spirit and explore the innovation of Chinese painting.

吴冠中把自己多年对美术的思考写成了《绘画的形式美》《造型艺术离不开人体美》《关于抽象美》等文章，系统地阐述自己的观点，提出要打一场“创造新风格的美术战争”。1992年，吴冠中所写的《笔墨等于零》在明报周刊上发表以后，在美术界引起广泛关注。

Wu Guanzhong has written his many years of thinking about fine arts into articles such as " formal beauty of painting", " plastic arts cannot be separated from human body beauty" and " about abstract beauty". he has systematically expounded his views and proposed to fight a " art war of creating new styles". In 1992, Wu Guanzhong's " pen and ink equals zero" was published in Ming pao weekly, which attracted extensive attention in the art circle.

吴冠中在美术创作和美术教育上取得了巨大成就，致力于油画民族化和中国画现代化的探索，在海内外享有很高声誉。多次在中国美术馆和全国十余个主要城市举办个人画展，并先后在新加坡国家博物馆、香港艺术中心、美国旧金山中华文化中心、伯明翰博物馆、堪萨斯大学艺术馆、纽约州圣约翰博物馆及底特律博物馆、大英博物馆、巴黎市立塞纽奇博物馆等举办画展。已出版个人画集50余种、个人文集有《吴冠中谈艺集》《吴冠中散文选》《美丑缘》《生命的风景》《吴冠中文集》等十余种，曾写《桥之美》。

Wu Guanzhong has made great achievements in artistic creation and education. he devotes himself to the exploration of nationalization of oil painting and modernization of Chinese painting and enjoys a high reputation at home and abroad. He has held several solo exhibitions in the Chinese art museum and more than ten major cities across the country, and has held exhibitions in Singapore's national museum, hong kong art center, San Francisco's Chinese cultural center, Birmingham museum, Kansas university museum of art, St. John's museum in new York state, Detroit museum, British museum, and Paris city's Senecio museum. More than 50 kinds of personal art collections have been published, including " Wu Guanzhong talk and art collection", " Wu Guanzhong prose collection", " beauty and ugliness margin", " scenery of life" and " Wu Guanzhong collection" and more than 10 kinds of personal collections. they have written " the beauty of the bridge".

作为美术教育家，吴冠中注重学生艺术个性的培育。作为善思考的艺术家，他又勤于著述，立论独特，而且文字生动流畅。其中关于抽象美、形式美、形式决定内容、生活与艺术要如风筝不断线等观点。

As an art educator, Wu pays attention to the cultivation of students ' artistic individuality. As an artist of good thinking, he is diligent in his writings, his argument is unique, and his words are vivid and fluent. The ideas of abstract beauty, formal beauty, form decision content, life and art should be like kite line.

在吴冠中先生眼里，艺术市场受到人际关系、利益包装、经济沉浮等人们无法回避的因素影响。庄子曾谓“凡外重者内拙”。吴冠中则如是说：艺术是自然形成的，时代一定会有真诚的挽留和无情的淘汰。艺术市场是一面镜子。但上帝只会关照一心去创作的画家，而不是光照镜子的人。智者所见略同。

In Mr. Wu Guanzhong's eyes, the art market is influenced by people's unavoidable factors such as interpersonal relationships, interest packaging, economic ups and downs, etc. Chuang Tzu once said that " everyone who stresses outside is compensated inside." Wu Guanzhong said: art is naturally formed, and the times will definitely have sincere retention and merciless elimination. The art market is a mirror. But god only cares for painters who devote themselves to creation, not those who illuminate mirrors. Wise men think alike.

目前就有一幅吴冠中先生的作品展现在国内知名艺术网-世纪收藏网。这幅作品是他1987年所作，真的是寥寥几笔，春风十里，无论颜色搭配，跟房屋的塑造，天空中的鸟儿，色彩涂得恰到好处，天空顿时就给人云卷风舒之感。创作出具有独特韵味的中国画风格，美的无法形容。

At present, there is an exhibition of Mr. Wu Guanzhong's works at the well-known domestic art network - century collection network. This painting was written by him in 1987. it was really only a few strokes. the spring breeze is ten miles away. no matter how the colors are matched, the shape of the house, the birds in the sky, and the colors are painted properly, the sky immediately gives people a feeling of wind and cloud. Creating a Chinese painting style with unique charm is beyond description of beauty.